Respectus Philologicus
https://www.zurnalai.vu.lt/respectus-philologicus
<p>Įkurtas 1999 m. Skirtas lingvistiniams tyrimams, literatūros naratyvų ir kontekstų problematikai, reklamos diskurso paveikumo klausimams, vertimo teorijai ir praktikai, audiovizualiniams tyrimams. Registruotas <em>Scopus</em> (Q1) nuo 2019.</p>Vilniaus universiteto leidykla / Vilnius University PressenRespectus Philologicus1392-8295<p>Susipažinkite su autorių teisėmis <a href="http://www.zurnalai.vu.lt/respectus-philologicus/journalpolicy">žurnalo politikoje</a> skiltyje Autorių teisės. </p>Nurodymai autoriams
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/33350
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Pabaigos puslapiai-Gabija Bankauskaitė
Autorių teisių (c) 2023 Authors
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2023-10-122023-10-12162171Redakcinė kolegija ir turinys
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/33349
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Pradžios puslapiai-Gabija Bankauskaitė
Autorių teisių (c) 2023 Authors
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2023-10-122023-10-12110Optimistic Christian Verticals and Destructive Secular Horizontals in Joachim Ringelnatz’s and Ödön von Horváth’s Experimental Fairy Tales
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/31725
<p>This article contributes to the discourse on experimental interwar fairy tales as a subgenre that undermines the anachronistic fairy-tale conventions to a selective negation or recontextualization in accordance with a contemporaneous cultural crisis. The contribution consists of demonstrating how fairy tales provide popular interwar religious authors with a platform to parallel the critical mirroring of their secular contemporaneous society with an articulation of a Christian, humanist optimism. A spatially focused comparison of Ödön von Horváth’s cycle of fairy tales Sportmärchen (1924–1926, published posthumously in 1972), and Joachim Ringelnatz’s Nervosipopel: Elf Angelegenheiten (1924) distinguishes the vertical and horizontal textual spaces to demonstrate that both authors reflect their metaphysically uprooted society through a negation of the genre's characteristic orientation toward harmonic equilibriums on a horizontal spatial axis. However, by overlaying destructive horizontals with antinomic, transcendence-signifying Christian verticals, the tales also articulate a modality of nearness to God, even in the secular world. This symbolic and positive vertical motion correlates with preserving the genre's characteristic idealization of a child.</p>
Literatūros naratyvai ir kontekstaiÖdön von HorváthSportmärchenJoachim Ringelnatzinterwar fairy talesfairy-tale spatialityMaxim Duleba
Autorių teisių (c) 2023 Maxim Duleba
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2023-10-122023-10-129310510.15388/RESPECTUS.2023.44.49.111The Influence of the English Language on the Polish Youth Speak
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/31943
<p>The aim of the following article is to discuss the impact of the English language on Polish youth speak. First, the paper demonstrates databases that can be useful while analyzing the language of contemporary Polish teenagers. Next, it presents the English-origin lexical units that were classified to the final stage of the Polish Youth Word of the Year 2022 plebiscite. Finally, it highlights the similarities and differences between the use of a specific term in Polish and English. The results of the study show that the English-speaking culture has an enormous impact on how Polish teenagers communicate and perceive reality. Twelve of twenty lexical units selected in the plebiscite can be linked to the English language. Some of them loosely refer to English expressions or sounds. Many words are directly transferred from slang. They often originate from the world of computer games or social media. In today’s day and age, common access to the Internet makes them well-known in various parts of the world.</p>
Jaunųjų mokslininkų tyrimaiyouth speakanglicismsyouth sociolectYouth Language and Culture ObservatoryAnita Jagun
Autorių teisių (c) 2023 Anita Jagun
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2023-10-122023-10-1212012910.15388/RESPECTUS.2023.44.49.113Audiovizualinio vertimo studijų programos dešimtmečio atgarsiai Vilniaus universiteto Kauno fakultete
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/32205
<p>Šioje apžvalgoje aptariami <em>Audiovizualinio vertimo</em> studijų programos dešimtmečiui paminėti skirti renginiai, įvykę Vilniaus universiteto Kauno fakultete: 2023 m. balandžio 25 d. vykusi jaunųjų mokslininkų konferencija vertimo tematika <em>TELL ME MORE</em> ir balandžio 26 d. vykęs <em>Audiovizualinio vertimo</em> studijų programos dešimties metų jubiliejus. Apžvelgiami per dešimtmetį nuveikti darbai, mokslo publikacijos ir organizuotos konferencijos, studijų programos pokyčiai, absolventų dinamika, socialinių partnerių indėlis į <em>Audiovizualinio vertimo</em> studijų programos kūrimą ir tobulinimą.</p>
Mokslinio gyvenimo kronika-Indrė BagdžiūtėGabrielė JakaitytėViktorija Šedvydytė
Autorių teisių (c) 2023 Indrė Bagdžiūtė | Gabrielė Jakaitytė | Viktorija Šedvydytė
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2023-10-122023-10-1215416110.15388/RESPECTUS.2023.44.49.116Klejnoty i odzież w świetle kobiecych testamentów szlacheckich z terenu Wielkopolski (XVII wiek)
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/31537
<p>W okresie staropolskim testamenty szlacheckie spisywano w celu przepisania majątku na rzecz spadkobierców. Widoczne były także relacje panujące w rodzinie. Testatorki często decydowały się na zapis ruchomości, wśród których znajdowały się m. in. klejnoty i odzież. Testamenty szlachcianek pokazują, że kobiety dysponowały ruchomościami na rzecz dzieci, wnuków, małżonków czy rodzeństwa. Wymieniane w aktach ostatniej woli klejnoty i odzież świadczyły także o ich pozycji majątkowej. Do najczęściej wymienianych klejnotów należą złote i srebrne: łańcuchy, perły, pierścienie, manele i zausznice. Wśród legowanej odzieży wierzchniej znajdowały się płaszcze, szuby, jupki, a z odzieży spodniej zapisywały sukienki, spódnice, alamody. W testamentach pojawiały się także nakrycia głowy, w tym różnego rodzaju czapki, rąbki i podwiki. Testatorki dysponowały również różnego rodzaju dodatkami do odzieży. Wymieniano pasy i paski, rękawy do sukni, fartuchy, bawełnice oraz guzy wykonane zwykle ze srebra lub pozłacane.</p>
Jaunųjų mokslininkų tyrimaiwillsgentryjewelsclothesGreater PolandKlaudia Strojwąs
Autorių teisių (c) 2023 Klaudia Strojwąs
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2023-10-122023-10-1214215310.15388/RESPECTUS.2023.44.49.115The Pragmatics of Paratextual Apparatus of Contemporary Latvian and American Travelogues
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/30222
<p>The present research aims at investigating the pragmatic features of paratext and their functions in contemporary American and Latvian travelogues. The presence of numerous paratextual elements in travel writing often helps to differentiate the genre among other literary genres. This, together with the fact that Latvian travelogues are not frequently studied, adds novelty to the present research. In addition, paratextual apparatus plays an essential role in constructing the modality of a travel narrative; moreover, certain paratextual elements (photographs, illustrations, archival documents, etc.) serve as a witness for the veracity and authenticity of narration as well as create a communicative bond with a potential reader. Paratextual apparatus can be viewed from various perspectives due to the fact that its elements bear various functions from informative (preface, postscript, genre specification, etc.) to performative (dedication, epigraph, etc.). The research focuses on such paratextual elements as extended titles, genre specification, dedications, epigraphs, illustrative and archival materials used in several Latvian and American travelogues of 1962–2015. The research methodology was based on the analytical and cultural historical methods, which contributed to the deeper insight into the concept of paratextuality. The pragmatics of paratext in travel writing was investigated by means of synthesising the structural-semiotic method and the method of comparative analysis in the critical perception of travelogues under consideration.</p>
Literatūros naratyvai ir kontekstaitravel writingtraveloguepragmaticsparatextperitextual and epitextual elementsDiāna Ozola
Autorių teisių (c) 2023 Diāna Ozola
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2023-10-122023-10-1210611910.15388/RESPECTUS.2023.44.49.112Emancipation of the National Identity in Augusts Deglavs’ Novel “Riga”
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/30926
<p>The article studies the formation of the Latvian national identity as depicted in the cultural and historical novel <em>Riga</em> by the writer Augusts Deglavs. The plot is set in the second half of the 19th century when more and more Latvians from the country started to move to Riga. By applying the context-oriented approach and practices of cultural studies, the New historicism, post-colonialism, separate aspects of the dynamics and context of the relationship between Latvians and Baltic Germans in multicultural Riga have been analysed. In addition, the points where social and national identities contact and cross under the conditions of hermetic and hegemonic German culture, like relations with the German language, acquisition of social practices, emergence of the sense of Latvianness, have also been examined. The article also performs a concise evaluation of the historical importance of the Young Latvians’ movement depicted in the novel as the awakener of the national identity. Based on John Austin’s concept of performative language, in studying the emancipation of national identity, attention was paid to the ability of language “to do things”, which proves that words expressed in certain situations can possibly affect and change the run of historical processes.</p>
Jaunųjų mokslininkų tyrimainational identityLatviansBaltic GermanslanguagenovelInta Genese-Plaude
Autorių teisių (c) 2023 Inta Genese-Plaude
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2023-10-122023-10-1213014110.15388/RESPECTUS.2023.44.49.114Environmental Threats in American and Macedonian Dystopian Fiction
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/31894
<p>Various environmental changes threaten local environments and the world at large. Some of these changes have visible immediate effects on people’s lives, as exemplified by the pollution in the Macedonian capital of Skopje, which for several years has ranked among the world’s most polluted cities. Additionally, global warming is estimated to have devastating consequences for all life on Earth. While American writers have increasingly incorporated discussion of climate change into their fiction, Macedonian literature has rarely delved into environmental issues. Therefore, this article aims to contribute by exploring specific environmental aspects in several previously unexplored Macedonian dystopian works by Branko Prlja, Ivan Šopov and Biljana Crvenkovska. These works are compared to the novel <em>Forty Signs of Rain </em>by the American writer Kim Stanly Robinson, analysing the approaches employed in addressing environmental threats. The comparative view, as well as placing all of these works in the context of existing factual information about climate change and pollution, indicates the cultural differences between the narratives, but also the common ground they share about possible responses that may be undertaken to tackle environmental problems.</p>
Literatūros naratyvai ir kontekstaiclimate changepollutiondystopian literatureKalina Maleska
Autorių teisių (c) 2023 Kalina Maleska
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2023-10-122023-10-12697910.15388/RESPECTUS.2023.44.49.109“An Artist With Trauma” in Search of Identity: The Postmodernist Options in Ukrainian and Turkish Literatures
https://www.zurnalai.vu.lt/respectus-philologicus/article/view/29714
<p>The article examines the typological features of the image of <em>an artist</em> <em>with trauma</em> and its correlation with the issue of identity. The subjet matter for the analysis are the novels <em>My Name is Red</em> by O. Pamuk and <em>The City with Chimeras</em> by O. Ilchenko. The article utilises historical-literary, comparative, and mythopoetic research methods and studies of traumatic writing and identity problems. The article defines the characteristic features of the image of a <em>traumatised artist</em>, such as the artist's stay in a traumatic situation of creative and personal crisis, fanatical worship of the idea of serving Beauty with a dominance of the aesthetic over the moral, willingness to justify death as a form of <em>convincing</em> opponents; the presence of a physical injury. The article also substantiates the expediency of Medusa Gorgona’s image as a mythos-archetypal counterpart of this image. The results of the comparative analysis prove that <em>an artist with trauma</em> is relevant primarily for the artistic understanding of the post-colonial experience as a type of <em>trauma</em>. Their heroes are in search of identity. It becomes their successful or unsuccessful attempt to overcome the trauma through creativity.</p>
Literatūros naratyvai ir kontekstaiidentityMedusa Gorgonaarchetypepostmodernismpostcolonial studiestraumatised artistOksana Halchuk
Autorių teisių (c) 2023 Oksana Halchuk
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2023-10-122023-10-12809210.15388/RESPECTUS.2023.44.49.110